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The School of Van Dyck

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Anthony van Dyck (Antwerp, 1559 - London, 1641) collaborated with masterful engravers to create his remarkable Iconography series, a large and … [Lea biografía »]


 
The School of Van Dyck, Le Christ au Rosea (Christ Crowned with Thorns), c. 1700s
Título: Le Christ au Rosea (Christ Crowned with Thorns), c. 1700s
Artista: The School of Van Dyck
Medio:
Grabado
Dimensiones del Ilustración: 10 1/4 in x 8 1/4 in (26 cm x 21 cm)
Dimensiones del Papel: 10 7/16 in x 8 3/8 in (26.5 cm x 21.3 cm)
Dimensiones del Marco: approx. 24 1/2 in x 21 5/8 in (62.2 cm x 54.9 cm)
Firmado: Signed in the plate 'Anton. Van Dyck inven' in the lower left; also signed 'Daret. Sculp' in the lower center and 'Mariette ex.' in the lower right.
Edición: A copy in reverse after the original engraving by Anthony van Dyck (Antwerp, 1559 - London, 1641).
Condición: This work is in very good condition; adhered to backing board with small tear along right border.
Precio especial 
$1,500
Artículo# 3731
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Created after the original engraving by Van Dyck, this copy in reverse glorifies Christ in his moment of torment. Though donned in a crown of thorns and prodded by a reed, Christ appears as the epitome of health and holiness, calmly and virtuously bearing his unjust treatment.


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The School of Van Dyck, Antonius Triest (Antoine Triest), c. 1650 - 1660
Título: Antonius Triest (Antoine Triest), c. 1650 - 1660
Artista: The School of Van Dyck
Medio:
Grabado
Dimensiones del Ilustración: 9 3/8 in x 6 7/8 in (23.8 cm x 17.5 cm)
Dimensiones del Papel: 9 3/4 in x 7 in (24.8 cm x 17.8 cm)
Dimensiones del Marco: approx. 24 1/2 in x 21 5/8 in (62.2 cm x 54.9 cm)
Firmado: Signed in the plate 'Ant. van Dyck pinxit' in the lower left; also signed 'Pet. de Ioden fcup' in the lower left.
Edición: A copy in reverse after the original engraving by Anthony van Dyck (Antwerp, 1559 - London, 1641). This piece is printed on a fine paper with the Cow in a Shield with Crown watermark (Mauquoy - Hendrickx no. 281), dating this piece to c. 1650 - 1660.
Condición: This work is in very good condition; slight paper thinning along right border with tape remnants on verso.
Precio especial 
$1,250
Artículo# 3730
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Created in reverse after an original engraving from Van Dyck's "Iconographie" series, this portrait truly captures the essence of its subject. As the Bishop of Bruges, Antoine Triest appears draped in rich garbs before monumental columns, a man with a powerful position and a commanding appearance.


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Gallery Price: This is a common gallery retail price
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Biografía de The School of Van Dyck

Anthony van Dyck (Antwerp, 1559 - London, 1641) collaborated with masterful engravers to create his remarkable Iconography series, a large and extensive series of prints with half-length portraits of eminent contemporaries. Van Dyck produced drawings and, for eighteen of the portraits, he himself engraved the plates with the heads and the main outlines of the figures with much skill. However, for most of the series, he left the printmaking work to specialists who engraved the plates based on Van Dyck's own drawings. The series was highly successful and exists as Van Dyck's only venture into printmaking. It was also greatly influential as a commercial model for reproductive printmaking, as Van Dyck's work was greatly admired by other artists as being accessible and possible to emulate to certain level of exactness.

Van Dyck's success with the Iconography series compelled him to maintain a large workshop in London. While he did have assistants and students such as Adriaen Hanneman (1604 - 1671), Van Dyck's Iconography prints are considered more of a collaborative effort with other known artists, who engraved these works of portraiture after original sketches and paintings by Van Dyck.