The School of Rembrandt

A copy after the original etching by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669), this work is representative of Rembrandt's attention to detail and skill at capturing the persona of his subject.

A copy after the original etching by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669), this charming piece is instilled with an incredible amount of detail for such a small work, exemplifying the artist's mastery of the etching medium.

Created after the original etching by Rembrandt, this heliogravure depicts the crucial moment right before Eve takes the fateful bite from the forbidden fruit.This image is noteworthy for its more realistic portrayal of Adam and Eve, as they are conveyed as flawed rather than idealized figures.

Created after the original etching by Rembrandt, this piece displays an idealized portrait of the master himself. Varying in appearance from his other self-portraits, some scholars believe that this image conveys Rembrandt as he wished he appeared, not as he actually appeared.

A copy in reverse after the original etching by Harmensz van Rijn Rembrandt (Leiden, 1606

This striking piece created by a student or follower of Rembrandt clearly shows the masterful training of its artist, as we witness a sharp contrast between the two figures. Through his use of light and shadow, the artist creates a dramatic difference between his two subjects, highlighting the figure on the left as the more noteworthy of the two.

A copy after the original etching by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669), this work is an intriguing account of an old Bible tale from the New Testament. In a manner reminiscent of Rembrandt, the artist uses a sharp chiaroscuro effect, dramatically contrasting light and dark.

A copy in reverse after the original etching by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669), this dramatic work depicts one of the most celebrated biblical parables from the Old Testament. Notable is the strong use of light and shadow, creating a sharp chiaroscuro effect that illuminates the retreating angel while highlighting the shocked expressions on the figures to the right.

Intricately rendered with delicate, cross-hatched lines, this exquisite work encourages us to examine the unique faces of its subjects. The artist exemplifies his mastery at conveying expressive details in the manner of Rembrandt.

Intricately rendered with delicate, cross-hatched lines, this exquisite work encourages us to examine the unique faces of its subjects. The artist exemplifies his mastery at conveying expressive details in the manner of Rembrandt.

A copy after the original etching by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669), this piece depicts a scene of everyday life. The hog was an important household commodity during Rembrandt's time, and the artist here expresses the value of the hog by placing it front and center with detailed shading, calmly awaiting its fate as a man in the background sharpens his knife.

Created after the original etching by Rembrandt, this copy in reverse conveys both the sense of secrecy and urgency that Mary and Joseph felt upon fleeing to Egypt with their infant son Jesus. Shrouded in darkness, they hunch over as if to remain hidden and move swiftly through the forest.