The School of Durer
<p>Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528) greatly influenced artists
of succeeding generations, particu… [Lea biografía »]
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| | Título: | St. Christopher in the Wilderness with a Flight of Birds |
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| Artista: | The School of Durer , Marcantonio Raimondi (1480-1534) After Albrecht D |
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| Referencia: | B.104 |
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| Medio: | Grabado |
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| Dimensiones del Ilustración: | 8 1/4 in x 5 1/2 in (21 cm x 14 cm) |
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| Dimensiones del Papel: | 9 3/16 in x 6 1/4 in (23.3 cm x 15.9 cm) |
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| Dimensiones del Marco: | approx. 20 in x 16 in (50.8 cm x 50.8 cm) |
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| Firmado: | This work is monogrammed in the plate 'AD' in the lower center. |
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| Edición: | An engraved copy by Marcantonio Raimondi (1480-1534) after the original woodcut by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528). |
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| Condición: | This piece is in very good condition; slight staining typical with age |
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Precio especial
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$4,000
Artículo# 3882
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This engraved copy created after Dürer's original woodcut captures the strength and determination of St. Christopher. Wading through turbulent waters in the wilderness, St. Christopher nobly strides forward with Christ upon his back.
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| | Título: | The Flagellation (The Small Passion) by Mommard after Albrecht Dürer |
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| Artista: | The School of Durer |
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| Medio: | Madera Grabado |
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| Dimensiones del Ilustración: | 5 in x 3 3/4 in (12.7 cm x 9.5 cm) |
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| Dimensiones del Papel: | 5 in x 3 3/4 in (12.7 cm x 9.5 cm) |
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| Dimensiones del Marco: | 23 in x 21 1/2 in (58.4 cm x 54.6 cm) |
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| Firmado: | This work is monogrammed in the woodblock 'AD' in the lower center. |
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| Edición: | A copy by Mommard after the original engraving by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528). |
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| Condición: | This piece is in very good condition. |
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Precio especial
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$1,950
Artículo# 3642
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Evoking a sense of compassion, this copy by Mommard created after Dürer's original engraving exemplifies the cruelty that mankind is capable of. Notable in this work is Christ's serene expression; as he takes a beating, he appears as though barely feeling the pain, perhaps finding a peaceful, meditative state in which to numb himself from the brutality of the outside world.
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| | Título: | Flagellation (from the Engraved Passion) by Armand Durand (1831-1905) after Albrecht Dürer |
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| Artista: | The School of Durer |
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| Medio: | Grabado |
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| Dimensiones del Ilustración: | 4 5/8 in x 2 15/16 in (11.8 cm x 7.4 cm) |
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| Dimensiones del Papel: | 5 in x 3 1/8 in (12.7cm x 7.9 cm) |
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| Dimensiones del Marco: | 22 3/4 in x 20 5/8 in (57.8 cm x 52.4 cm) |
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| Firmado: | The initials of Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528) 'AD,' are engraved in the plate on a slate in the upper left with the Armand Durand stamp on verso. |
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| Edición: | This restrike work was created by Armand Durand (1831-1905) after the original engraving by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528).< |
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| Condición: | This work is in very good condition, a bold, crisp impression. |
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Precio especial
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$1,850
Artículo# 3054
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Evoking a sense of sympathy, this copy by Armand Durand created after Dürer's original engraving exemplifies the cruelty that mankind is capable of. Notable in this work is the artist's creation of a three dimensional space with a sense of depth and perspective, achieved through his strategic use of light and shadow.
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| | Título: | The Lamentation of Christ (The Engraved Passion) by Bundele after Albrecht Dürer |
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| Artista: | The School of Durer |
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| Medio: | Grabado |
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| Dimensiones del Ilustración: | 4 1/2 in x 2 3/4 in (11.4 cm x 7 cm) |
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| Dimensiones del Marco: | 23 in x 21 1/2 in (58.4 cm x 54.6 cm) |
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| Firmado: | This work is monogrammed and dated with Albrecht Dürer's (Nuremburg 1471- Nuremburg, 1528) signature initials in the plate 'AD' on a slate in the lower right. |
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| Edición: | A copy in mirror image after the original engraving by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528). |
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| Condición: | This work is in excellent condition. |
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Precio especial
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$1,850
Artículo# 3643
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This copy in reverse created after Dürer's original engraving is full of intense emotion and highly detailed figures. Exhibiting the artist's mastery and skill in the technique of the studied figure, this work is an intimate look at the subject matter.
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| | Título: | Madonna Nursing |
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| Artista: | The School of Durer |
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| Medio: | Grabado |
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| Dimensiones del Ilustración: | 4 1/2 in x 2 7/8 in (11.4 cm x 7.3 cm) |
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| Dimensiones del Papel: | 5 in x 3 1/4 in (12.7 cm x 8.3 cm) |
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| Dimensiones del Marco: | 21 1/8 in x 19 1/4 in (53.7 cm x 48.9 cm) |
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| Firmado: | This work is monogrammed and dated with Albrecht Dürer's (Nuremburg, 1471- Nuremburg, 1528) signature initials in the plate 'AD' on a slate in the lower right. |
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| Edición: | A copy in mirror image after the original engraving by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528). |
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| Condición: | This work is in very good condition. |
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Precio especial
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$1,850
Artículo# 2978
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This copy in reverse created after Dürer's original engraving relays a sense of maternal devotion. Enveloped in a white halo, Madonna gazes down at Christ with absolute love, offering nourishment to his holy body.
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Los estilos de The School of Durer : Old Master
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Biografía de The School of Durer
<p>Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528) greatly influenced artists
of succeeding generations, particularly in printmaking. His reputation, which
spread far and wide across Europe through his prints, inspired other major artists
such as Raphael (1483 - 1520), Titian (1477 - 1576), and Parmigianino (1503
- 1540), who later followed in Dürer's footsteps and entered into collaborations
with printmakers to distribute their work beyond local regions.</p>
<p>
Dürer's prints greatly affected his German successors such as Hans Baldung
Grien (1484 - 1545) and Albrecht Altdorfer (1480 - 1538), particularly the "Little
Masters" who worked on a small scale but continued to depict Dürer's
themes. Many Italian engravers such as Giulio Campagnola (1482 - 1415), Christofano
Robetta (1462 - 1534), Marcantonio Raimondi (1475 - 1534), and Agostino Veneziano
(1490 - 1540) trained after Dürer, learning from and admiring his work.
They often directly copied parts of his landscape backgrounds or the prints
in their entirety in order to better their craft. Seen as a master printmaker
and artistic inspiration, the School of Dürer emerged with works created
in his masterful style by students and admirers alike. <br>
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