Hendrik Goltzius
Hendrick Goltzius, the most important Dutch artist of his generation and a founder of the seventeenth-century Haarlem school, was born in Muhlbrach… [Lea biografía »]
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| | Título: | The Bearing of the Cross (from the Passion) [B. 35; St. 353] |
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| Artista: | Goltzius, Hendrik |
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| Medio: | Grabado |
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| Dimensiones del Ilustración: | 7 3/4 in x 5 in (19.7 cm x 12.7 cm) |
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| Dimensiones del Papel: | 7 7/8 in x 5 1/8 in (20 cm x 13 cm) |
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| Dimensiones del Marco: | 25 3/8 in x 22 1/2 in (64.5 cm x 57.15 cm) |
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| Firmado: | Featuring the monogram signature of Hendrick Goltzius (Muhlbracht, 1558- Haarlem, 1617), 'HG' in the lower left. Engraved, '9,' is also featured in the lower left |
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| Edición: | First state impression |
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| Condición: | In excellent condition, a bold, crisp lifetime impression |
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Precio
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$5,000
Artículo# 2117
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50% Off: $2,500 |
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Displaying an advanced sense of depth and perspective, this detailed engraving is notable for Goltizius' depiction of the long procession following Christ bearing the cross. With Christ positioned front and center, we witness a snaking parade behind him, stretching into the distant city beyond. Through his use of detailed lines, Goltzius conveys an accurate representation of space and time within this emotional scene.
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| | Título: | The Last Supper (from the Passion), 1598 [B. 27; St. 356 I, II] |
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| Artista: | Goltzius, Hendrik |
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| Medio: | Grabado |
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| Dimensiones del Ilustración: | 7 3/4 in x 5 1/8 (19.7 cm x 13.03 cm) |
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| Dimensiones del Papel: | 7 3/4 in x 5 1/8 in (19.7 cm x 13.03 cm) |
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| Dimensiones del Marco: | 25 1/2 in x 22 5/8 in (64.77 cm x 57.48 cm) |
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| Firmado: | Featuring the monogram signature of Hendrick Goltzius (Muhlbracht, 1558- Haarlem, 1617), 'HG' in the lower left. Engraved date, '1598,' is featured on a plaque along the right margin of the image |
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| Edición: | Featuring a text placard at top center (Latin) with engraved notation at bottom margin, 'Cum privil Sa Orem.' |
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| Condición: | In excellent condition, a bold, crisp lifetime impression |
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Precio
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$4,500
Artículo# 2116
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50% Off: $2,250 |
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Remarkably detailed and delightfully conveyed, this depiction of the Last Supper is notable for Goltzius' unique depiction of each diner; each retains a sense of individual expression and physical appearance. Goltizus adds a slight dialogue with the figures in the background, as a couple sneaks off into a doorway and a waiter precariously balances food upon a platter.
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| | Título: | The Calvary (from the Passion) |
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| Artista: | Goltzius, Hendrik |
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| Medio: | Grabado |
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| Dimensiones del Ilustración: | 7 3/4 in x 5 in (19.7 cm x 12.7 cm) |
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| Dimensiones del Papel: | 7 7/8 in x 5 1/8 in (20 cm x 13 cm) |
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| Dimensiones del Marco: | 25 3/8 in x 22 1/2 in (64.5 cm x 57.15 cm) |
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| Firmado: | Featuring the monogram signature of Hendrick Goltzius (Muhlbracht, 1558- Haarlem, 1617), 'HG' in the lower left. Engraved, '10,' is also featured in the lower left |
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| Edición: | Wonderful 1st state impressioon |
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| Condición: | In excellent condition, a bold, crisp impression |
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Precio
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$4,500
Artículo# 2114
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MFA SALE |
50% Off: $2,250 |
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Deeply emotional, this scene conveys the sense of agony felt by onlookers upon Christ's crucifixion. This exemplary work clearly displays Goltizius' mastery of this medium, as he achieves an advanced sense of tonal gradation, particularly in the foreboding night sky. A curious element of this work is that Goltizus denies us views of the onlookers faces, turning their backs to us so that we may only witness the three crucified forms in the center head-on.
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Gallery Price: This is a common gallery retail price Read more about our pricing |
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| | Título: | The Flagellation (from the Passion), c. 1596 - 1597 |
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| Artista: | Goltzius, Hendrik |
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| Referencia: | [B. 32; St. 339 I, II] |
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| Medio: | Grabado |
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| Dimensiones del Ilustración: | 7 3/4 in x 5 1/8 in (19.7 cm x 13.03 cm) |
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| Dimensiones del Papel: | 7 3/4 in x 5 1/8 in (19.7 cm x 13.03 cm) |
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| Dimensiones del Marco: | 25 1/2 in x 22 5/8 in (64.77 cm x 57.48 cm) |
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| Firmado: | Featuring the monogram signature of Hendrick Goltzius (Muhlbracht, 1558- Haarlem, 1617), 'HG' in the lower left. Engraved date, |
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| Condición: | In excellent condition, a bold, crisp impression | | Precio: Artículo# 2115 | Vendido |
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From depicting Apollo to The Passion, a Goltzius engraving, etching or woodcut offers an impressive display of historical scenes with immense detail.
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Biografía de Hendrik Goltzius
Hendrick Goltzius, the most important Dutch artist of his generation and a founder of the seventeenth-century Haarlem school, was born in Muhlbracht in 1558. After learning the trade of glass painting from his father, Jan II Goltz, Hendrick studied with Dirck Volckertsz. Coornhert in Xanten, who taught him the art of engraving. In 1577, Goltzius settled in Haarlem, where he made numerous reproduced engravings for the Antwerp publisher Philip Galle, and by 1582 had established a flourishing atelier in which prints of his own invention were also made and published.
In 1583, the Flemish painter-theoretician Carel van Mander arrived in Haarlem, and introduced Goltzius to the work of the Flemish artist Bartholomaeus Spranger (1546-1611). Goltzius was quickly seduced by Spranger's flamboyant mannerist style, and not only made many prints after his works, but also began to incorporate Spranger's elegantly attenuated figures and violent foreshortenings into his own engravings.
In 1590, Goltzius travelled to Italy, where he studied ancient sculpture and paintings of the High Renaissance masters in Rome, Florence, Venice and Bologna. Upon his return to Haarlem the following year, Goltzius abandoned his earlier mannerist mode, turning instead to the more normative, classic forms of the Italian and Northern Renaissance, a change which would prove decisive for the rest of his career. Around the turn of the century, Goltzius exchanged his engraver's tools for the painter's brush, in part due to failing eyesight after years of close work with the burin, but also in response to the theory of his friend van Mander, who held painting above the graphic arts. Goltzius's paintings are relatively rare. Approximately fifty autograph works are known, and all date from between c.1600 and 1617, the year of the artist's death.
Drawings, engravings and paintings by Goltzius can be found in many major institutions around the world.