Arman
Armand Fernandez. French born sculptor who settled in New York in 1963 and became an American citizen in 1972. He was born in Nice and studied brie… [Lea biografía »]
Arman sculptures, hand-knotted tapestries, color screenprints, and beer cap hanging works all speak to a fascination with form, music & rhythm.
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| | Título: | Ali Baba, 2005 |
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| Artista: | Arman |
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| Medio: | Madera Escultura |
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| Dimensiones del Ilustración: | 51 1/4 in x 41 1/4 in x 2 1/4 in (130.2 cm x 104.8 cm x 5.7cm) |
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| Firmado: | Hand signed by Fernandez Arman (1928 - 2005) in silver ink |
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| Edición: | Annotated 'EA I/IV' on the wood mount (aside from the edition of 8 and 2 hors commerce) |
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| Condición: | This work is in good condition. |
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Precio especial
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$100,000
Artículo# 2785
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Arman pays homage to his love of music in this monumental work. 28 violins of varnished iron are represented in this rhythmic, fabulous piece, part sculpture, part installation.
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| | Título: | Violin, 2004 |
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| Artista: | Arman |
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| Medio: | Escultura |
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| Dimensiones del Ilustración: | 25 |
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| Firmado: | Hand etched signed by Fernandez Arman (Nice, 1928 - New York, 2005). |
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| Edición: | From the edition of 100. |
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| Condición: | This work is in excellent condition. |
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Precio especial
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$28,000
Artículo# 3879
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Displaying Arman's love of the violin, this work adeptly captures both the solidity of the instrument and the emotional range of the music that it produces.
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| | Título: | Violin, 2004 |
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| Artista: | Arman |
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| Medio: | Escultura |
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| Dimensiones del Ilustración: | 25 |
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| Firmado: | Hand etched signed by Fernandez Arman (Nice, 1928 - New York, 2005). |
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| Edición: | From the edition of 100. |
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| Condición: | This work is in pristine condition. |
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Precio especial
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$28,000
Artículo# 3878
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Displaying Arman's love of the violin, this work adeptly captures both the solidity of the instrument and the emotional range of the music that it produces.
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Read more about our pricing
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Gallery Price: This is a common gallery retail price Read more about our pricing |
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| | Título: | Untitled (Saxophone), 1984 |
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| Artista: | Arman |
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| Medio: | Escultura |
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| Dimensiones del Ilustración: | DIMENSIONS: 30 x 19 x 8 in (76.2 x 48.3 x 20.3 cm) |
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| Firmado: | Hand signed by Fernandez Arman (Nice, 128 - New York, 2005) along lower side of the sculpture. |
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| Edición: | Annotated E.A. (Epreuve d'Artiste or artist's proof) along the lower side of the sculpture. |
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| Condición: | This work is in pristine condition. |
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Precio
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$35,000
Artículo# 3076
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MFA SALE |
50% Off: $17,500 |
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Retaining a certain lightness of form, this stunning sculpture clearly exemplifies Arman's delicate touch when working with metal. Remarkably designed, this piece retains a sense of uniformity despite its disconnected appearance addressing the concept of unity amidst division.
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| | Título: | Komposition Med Penslar |
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| Artista: | Arman |
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| Medio: | Pantalla de Seda en el lienzo |
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| Dimensiones del Ilustración: | 30 in x 22 7/16 in (76 cm x 57 cm) |
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| Dimensiones del Marco: | 32 1/4 in x 24 1/2 in (81.9 cm x 62.2 cm) |
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| Firmado: | Hand-signed by Fernandez Arman (Nice, 1928 New York, 2005) in brown ink in the lower right |
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| Condición: | This work is in excellent condition. |
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Precio
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$25,000
Artículo# 3147
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MFA SALE |
50% Off: $12,500 |
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Thinking outside of the box, Arman incorporates an unlikely pairing in this spectacular work: the violin and the paintbrush. The colorful paintbrushes tilt and turn, relaying a sense of frenetic motion, as if they are in the process of painting the violin.
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| | Título: | Tubes de Couleurs |
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| Artista: | Arman |
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| Medio: | Tapiz |
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| Dimensiones del Ilustración: | 98 7/16 in x 70 15/16 in (250 cm x 180 cm) |
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| Dimensiones del Marco: | 98 7/16 in x 70 15/16 in (250 cm x 180 cm) |
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| Firmado: | Hand signed by Fernandez Arman (Nice, 1928 - New York, 2005) in blue ink on the label on the reverse; woven signature in black on verso. |
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| Edición: | Numbered 9/100 (from the edition of 100) in black marker on the label on the reverse; published by Art Surface, Paris. |
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| Condición: | This piece is in excellent condition. |
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Precio
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$25,000
Artículo# 3132
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MFA SALE |
50% Off: $12,500 |
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Exemplifying his ability to work in a variety of mediums, this original wool tapestry addresses a significant concept within Arman's work: the accumulation of vast quantities of the same object. In this striking work, he arranges colorful tubes of paint, playing with the idea of one medium upon an entirely different medium.
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| | Título: | Double Châssis, 1994 |
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| Artista: | Arman |
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| Medio: | Escultura |
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| Dimensiones del Ilustración: | 11.4 in x 7.9 in (29 cm x 20 cm) |
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| Firmado: | Signature etched into the bronze base by Fernandez Arman (Nice, 1928 New York, 2005) |
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| Edición: | Etched into the side of the base, 'bocquel rd. 45/140' |
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| Condición: | This work is in pristine condition. |
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Precio
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$15,000
Artículo# 2229
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MFA SALE |
50% Off: $7,500 |
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Composed of disjointed saxophones divided and stacked in the fashion of a pyramid, this tower of music relays the impression of ordered chaos. This stunning work retains a sense of animation, as if we can almost imagine the soulful music produced by the subject of this glistening bronze sculpture.
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Biografía de Arman
Arman (1928 - 2005)
Armand Fernandez. French born sculptor who settled in New York in 1963 and became an American citizen in 1972. He was born in Nice and studied briefly in Paris at the Ecole des Arts Decoratifs and the Ecole du Louvre. In 1957, with his friend Yves Klein, he decided to be known by his first name only, and the form 'Arman' was adopted in 1958 as the result of a printer's error on the cover of a catalogue. Like Klein, he was interested in Japanese culture, particularly Zen Buddhism, and (again like Klein) he worked for a time as a judo instructor. In the early 1960s Arman gained a reputation as one of the leading exponents of Nouveau Réalisme and he is best known for his assemblages of junk material. These range from modest collections of household debris (Accumulation of Sliced Teapots, Walker Art Center, Minneapolis, 1964) to a huge tower (about 20 meters high) of 60 automobiles embedded in cement (Long-Term Parking, Cartier Museum, jouy-en-josas, 1982).
Chilvers, Ian, Oxford Dictionary of 20th Century Art, Oxford, New York, Oxford University Press, 1998.