The School of Durer , The Lamentation of Christ (The Engraved Passion) by Bundele after Albrecht Dürer
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| Artista: | The School of Durer (1500 - 1600) |
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| Título: | The Lamentation of Christ (The Engraved Passion) by Bundele after Albrecht Dürer |
| Medio: | Grabado |
| Dimensiones del Ilustración: | 4 1/2 in x 2 3/4 in (11.4 cm x 7 cm) |
| Dimensiones del Marco: | 23 in x 21 1/2 in (58.4 cm x 54.6 cm) |
| Firmado: | This work is monogrammed and dated with Albrecht Dürer's (Nuremburg 1471- Nuremburg, 1528) signature initials in the plate 'AD' on a slate in the lower right. |
| Edición: | A copy in mirror image after the original engraving by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528). |
| Condición: | This work is in excellent condition. |
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Artículo# 3643
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This copy in reverse created after Dürer's original engraving is full of intense emotion and highly detailed figures. Exhibiting the artist's mastery and skill in the technique of the studied figure, this work is an intimate look at the subject matter. |
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| Descripción Histórica: | |
Full of intense emotion and highly detailed figures, this work expresses the anguish and somber nature of this scene. Bundele captures the sense of mourning as each figure appears pained in his or her own way. Intricate detailed lines convey this scene, as we witness the moment when Christ is just removed from the cross, slumping down in a near lifeless state. Bundele echoes Durer's composition with much skill. Though depicted in reverse, the image includes each slight detail such as the ladder leaned against the tree, the town in the distant background, and the holes in Christ's feet. This work is a copy in mirror image by Bundele created after the original engraving by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528). This etching is monogrammed and dated with Albrecht Dürer's (Nuremburg, 1471- Nuremburg, 1528) signature initials in the plate 'AD' on a slate in the lower right. ORIGINAL ENGRAVING BY DURER FROM WHICH THIS WORK WAS BASED DOCUMENTED AND ILLUSTRATED IN: 1. Boon, Karel G. and Robert W. Scheller. The Graphic Art of Albrecht Dürer
and the Dürer School, Wangendt & Co.: Amsterdam, 1971. Listed and illustrated
as catalogue raisonné no. 14 on pg. 13. | |
| Estilo: | Old Master |
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The School of Durer biografía
<p>Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528) greatly influenced artists
of succeeding generations, particularly in printmaking. His reputation, which
spread far and wide across Europe through his prints, inspired other major artists
such as Raphael (1483 - 1520), Titian (1477 - 1576), and Parmigianino (1503
- 1540), who later followed in Dürer's footsteps and entered into collaborations
with printmakers to distribute their work beyond local regions.</p>
<p>
Dürer's prints greatly affected his German successors such as Hans Baldung
Grien (1484 - 1545) and Albrecht Altdorfer (1480 - 1538), particularly the "Little
Masters" who worked on a small scale but continued to depict Dürer's
themes. Many Italian engravers such as Giulio Campagnola (1482 - 1415), Christofano
Robetta (1462 - 1534), Marcantonio Raimondi (1475 - 1534), and Agostino Veneziano
(1490 - 1540) trained after Dürer, learning from and admiring his work.
They often directly copied parts of his landscape backgrounds or the prints
in their entirety in order to better their craft. Seen as a master printmaker
and artistic inspiration, the School of Dürer emerged with works created
in his masterful style by students and admirers alike. <br>
