The School of Durer , The Flagellation (The Small Passion) by Mommard after Albrecht Dürer

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Firmado The School of Durer , Madera Grabado, The Flagellation (The Small Passion) by Mommard after Albrecht Dürer

The School of Durer Madera Grabado Firmado, The Flagellation (The Small Passion) by Mommard after Albrecht Dürer

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Artista:	The School of Durer (1500 - 1600)
Título:	The Flagellation (The Small Passion) by Mommard after Albrecht Dürer
Medio:	Madera Grabado
Dimensiones del Ilustración:	5 in x 3 3/4 in (12.7 cm x 9.5 cm)
Dimensiones del Papel:	5 in x 3 3/4 in (12.7 cm x 9.5 cm)
Dimensiones del Marco:	23 in x 21 1/2 in (58.4 cm x 54.6 cm)
Firmado:	This work is monogrammed in the woodblock 'AD' in the lower center.
Edición:	A copy by Mommard after the original engraving by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528).
Condición:	This piece is in very good condition.
Precio especial	$1,950 Artículo# 3642
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Evoking a sense of compassion, this copy by Mommard created after Dürer's original engraving exemplifies the cruelty that mankind is capable of. Notable in this work is Christ's serene expression; as he takes a beating, he appears as though barely feeling the pain, perhaps finding a peaceful, meditative state in which to numb himself from the brutality of the outside world.
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With this image, the artist creates a strong sense of tension which is conveyed through the intense working of the plate and the representation of motion which pervades the piece. Christ's aggressors are depicted with well articulated muscles, lending a sense of vigor and brutality to the image. In juxtaposition to the tension depicted in the piece, Christ appears serene and reserved, unaffected by his current circumstances. This piece is a copy by Mommard after the original engraving by Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528). ORIGINAL WOODCUT BY DURER FROM WHICH THIS WORK WAS BASED DOCUMENTED AND ILLUSTRATED IN: 1. Strauss, Walter L., ed. Albrecht Dürer, Woodcuts and Woodblocks, New York, 1980. Listed and illustrated as cat. no. 118 on pgs. 366-7. Holzschnitte & Holzschnittfolgen. Albrecht Dürer - Das Druckgraphische Werk, Band II, New York, 2002. Listed and illustrated as cat. no. 203 on pgs. 313-4. 2. Kurth, Willi. The Complete Woodcuts of Albrecht Dürer, New York, 1963. Listed and illustrated as cat. no. 239 and detailed on pg. 30-1. 3. Boon, Karel G. & Robert W. Scheller. The Graphic Art of Albrecht Dürer, Hans Dürer, and The Dürer School, Amsterdam, 1971. Listed and illustrated as cat. no. 142 on pg. 123. 4. Meder, Joseph. Dürer-Katalog, Vienna, 1932. Listed and illustrated as cat. no. 142 on pg. 140-1. 5. Pawlak, Manfred, et. al. Albrecht Dürer, 1471 bis 1528. Listed and illustrated as cat. no. 1609. 6. Barlow, T.D. Woodcuts of Albrecht Dürer, London, 1948. Listed and illustrated as plate no. 61. About the Framing: Conservation framed with archival materials and museum quality, this work is float mounted on archival cream linen in an elegant dark wood and gold leaf frame. The rounded stepped sculptural quality of the moulding compliments the linear quality of this work without detracting from it with a simple painted floral motif along the inner border. The dark wood and gold tone of the framing accentuates the strong contrasting black and white of this piece. Completed with cream linen wrapped mattes and a gold inner fillet, this work is set behind an archival Plexiglas cover.
Estilo:	Old Master
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The School of Durer biografía

<p>Albrecht Dürer (Nuremburg, 1471- Nuremburg, 1528) greatly influenced artists
of succeeding generations, particularly in printmaking. His reputation, which
spread far and wide across Europe through his prints, inspired other major artists
such as Raphael (1483 - 1520), Titian (1477 - 1576), and Parmigianino (1503
- 1540), who later followed in Dürer's footsteps and entered into collaborations
with printmakers to distribute their work beyond local regions.</p>
<p>
Dürer's prints greatly affected his German successors such as Hans Baldung
Grien (1484 - 1545) and Albrecht Altdorfer (1480 - 1538), particularly the "Little
Masters" who worked on a small scale but continued to depict Dürer's
themes. Many Italian engravers such as Giulio Campagnola (1482 - 1415), Christofano
Robetta (1462 - 1534), Marcantonio Raimondi (1475 - 1534), and Agostino Veneziano
(1490 - 1540) trained after Dürer, learning from and admiring his work.
They often directly copied parts of his landscape backgrounds or the prints
in their entirety in order to better their craft. Seen as a master printmaker
and artistic inspiration, the School of Dürer emerged with works created
in his masterful style by students and admirers alike. <br>

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The School of Durer | The School of Rembrandt | The School of Van Dyck