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Email to FriendFirmado Pablo Picasso, Grabado Cerámica, Jacqueline's Profile, 1956  |
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| Artista: | Picasso, Pablo (1881 - 1973) |
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| Título: | Jacqueline's Profile, 1956 |
| Referencia: | Ramié 385 |
| Medio: | Grabado Cerámica |
| Dimensiones del Ilustración: | DIAMETER: 7 1/4 in (18.5 cm) |
| Dimensiones del Marco: | 23 in x 23 in (58.4 cm x 58.4 cm) |
| Firmado: | Inscribed stamps on the underside of the plaque 'EMPREINTE ORIGINALE DE PICASSO' and 'MADOURA PLEIN FEU' |
| Edición: | From the total edition of 500 |
| Condición: | This work is in excellent condition |
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Precio especial
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Artículo# 3615
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Somewhat hieroglyphic in nature, this depiction of Picasso's second wife Jacqueline conveys her as strikingly beautiful; with decorative hair, large eyes, and triangular nose, she brings to mind an Egyptian pharaoh. Picasso's ivory lines pop against the rich black-brown background, further highlighting Jacqueline's iconic profile. |
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| Descripción Histórica: | |
| Utilizing simple, clean-cut lines, Picasso creates an iconic image of his second
wife Jacqueline. Picasso's geometric portrayal of Jacqueline in profile appears
somewhat hieroglyphic in nature; with her decorated, long hair, large eyes,
and triangular nose, Jacqueline bears a resemblance to an Egyptian pharaoh.
She is strikingly beautiful as she gazes forward with a tranquil yet adoring
expression on her face. The viewer can almost imagine that this loving look
was one reserved for Picasso alone. Thick, white lines highlight Jacqueline's
profile, creating a contrast against the dark brown background. Picasso perfectly
accentuates the graceful form of Jacqueline's exquisite face by placing her
profile to the left of the composition so that the curve of her head perfectly
follows the curve of the ceramic plaque. Created in 1956, this original ceramic convex wall plaque was created with white earthenware clay, accentuated with glaze, black patinated. From an edition of 500, this work is stamped 'EMPREINTE ORIGINALE DE PICASSO' and 'MADOURA PLEIN FEU' on the underside of the plaque. DOCUMENTED AND ILLUSTRATED IN: ABOUT THE FRAMING: Museum-grade conservation framed in a complementary moulding with silk mats and optical grade Plexiglas. | |
| Estilo: | Cubism, Blue Period, Rose Period, 20th Century Spanish Modern Master, Madoura ceramics of Vallauris, Vollard |
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Pablo Picasso biografía
Pablo Picasso (1881 - 1973)
"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.
"He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.
"Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland's Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso's features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man's Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).
"The Rose Period began around 1904 when Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery's large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.
"In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein.
Picasso enjoyed creating his art on many media. From paintings to etchings to ceramics, all of his works are a testament to his skills. There are even Picasso prints that are worth more than unique original works.
