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Email to FriendPablo Picasso, Escultura Madoura, Picador, 1952  |
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| Artista: | Picasso, Pablo (1881 - 1973) |
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| Título: | Picador, 1952 |
| Referencia: | Ramié 160 |
| Medio: | Escultura Madoura |
| Dimensiones del Ilustración: | Diameter: 7 1/2 in (19.1. cm) |
| Firmado: | Inscribed 'Edition Picasso', with the 'Edition Picasso' and 'Madoura Plein Feu' stamps on the underside of the plate |
| Edición: | From the total edition of 500 |
| Condición: | This work is in excellent condition. |
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Artículo# 3604
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The Picador was a theme commonly used during this era of ceramic-making for Picasso. Inspired by his rich Spanish heritage, this plate echoes the shape of a typical bull-fighting arena, centralizing the viewers' attention to the Picador, armed with a great sheath atop his steady horse. |
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| Descripción Histórica: | |
Exhibiting his love of experimenting with various art media, this piece is rendered with strong contrast and lyrical figurative elements. Set on a brilliantly glazed white background, the Picador on horseback evokes a sense of quiet solitude that is best experienced in person. From a very young age, Picasso was familiar and fascinated with the sport of bullfighting. In bullfighting, Picasso saw a mythological symbol embodying suffering and anger. The drama of this fierce struggle between man and beast became a recurring theme in his work. Here he chooses to convey the lone picador seated calmly atop his horse, as if taking a quiet moment to himself prior to the fight. Created in 1952, this work is one of 500 copies produced by Madoura. This piece is inscribed 'Edition Picasso' with the 'Edition Picasso' and 'Madoura Plein Feu' stamps on the underside of the plate. DOCUMENTED AND ILLUSTRATED IN: | |
| Estilo: | Cubism, Blue Period, Rose Period, 20th Century Spanish Modern Master, Madoura ceramics of Vallauris, Vollard |
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Pablo Picasso biografía
Pablo Picasso (1881 - 1973)
"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.
"He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.
"Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland's Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso's features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man's Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).
"The Rose Period began around 1904 when Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery's large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.
"In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein.
Picasso enjoyed creating his art on many media. From paintings to etchings to ceramics, all of his works are a testament to his skills. There are even Picasso prints that are worth more than unique original works.
