Magritte, Rene, La Bataille de l'Argonne (The Battle of the Argonne), 1964, Series 3
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| Artista: | Magritte, Rene (1898 - 1967) |
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| Título: | La Bataille de l'Argonne (The Battle of the Argonne), 1964, Series 3 |
| Medio: | Litografía |
| Dimensiones del Ilustración: | 27 1/4 in x 19 3/16 in (69.2 cm x 48.8 cm) |
| Dimensiones del Papel: | 30 5/8 in x 22 7/8 in (77.8 cm x 58.1 cm) |
| Dimensiones del Marco: | approx. 45 in x 37 in (114.3 cm x 94 cm) |
| Firmado: | Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici. |
| Edición: | Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte). |
| Condición: | This work is in excellent condition with vibrant colors throughout |
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Artículo# 3549
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Pitting the scientific against the poetic, Magritte defies gravity with his weightless subjects. Against all reason, a large rock hovers in air besides a fluffy cloud, leading us to question the laws of physics. |
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| Descripción Histórica: | |
| In a showdown between two seemingly opposite forms, a large cloud and an equally
large stone face each other, floating in the sky above a serene landscape. The
viewer cannot help but notice the disconcerting nature of this work; the giant
stone appears as weightless as the cloud, yet stone is notably heavy and typically
anchored to the ground. Of works such as this (that convey the "world of
stone") Meuris states, "Gravity is necessarily succeeded by weightlessness.
And with Magritte the process is quite independent of the law of physics…Actually,
all things considered, the problem of weightlessness has more to do with the
poetic than the scientific dimension. Faced with these paintings [of the "world
of stone"], it is appropriate to draw on "knowledge." It is enough
that, by their presence before us, they transport us into other realms in a
state of total serenity, outside time.
Created after the 1964 original oil on canvas La bataille de l'argonne (The Battle of the Argonne) by René Magritte (1898-1967), this original color lithograph was published and printed by Philippe Moreno, Paris in 2003. This work is signed 'Magritte' in facsimile in graphite color in the lower right margin and signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici. Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte), this work is stamped with the ADAGP blindstamp in the lower left margin and the Succession Magritte blindstamp in the lower right margin. On the back of this work is an extensive block of printed text stating the title, provenance, tirage, and details of the original oil on canvas.
About the Framing: | |
| Estilo: | Surrealism |
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Rene Magritte biografía
René Magritte was a Belgian surrealist artist whose witty and thought-provoking images challenged observers’ preconditioned perceptions of reality. Magritte's work frequently displays a juxtaposition of ordinary objects in an unusual context, giving new meanings to familiar things.
Magritte grew up in a simple and somewhat tragic household. His father was a modest tailor. His mother, who was mentally unsound, committed suicide in the year 1912. Magritte started drawing at a young age, and his first paintings, produced c. 1915, were Impressionistic in style.
Magritte first worked as a draughtsman in a wallpaper factory and, in the year 1922, fell in love with and married Georgette Berger. In 1926, Magritte signed a contract with Galerie La Centaure in Brussels, making it possible for him to paint full-time. During this time, inspired by his friend André Breton, he became involved with the Surrealist group.
During the German occupation of Belgium in World War II, he stayed in Brussels. He continued to paint, gaining increased recognition. His work was exhibited in the United States in New York multiple times, including 2 retrospective exhibitions at the Museum of Modern Art and the Metropolitan Museum of Art. In 1967, Magritte died of pancreatic cancer, his imagery having greatly influenced pop, minimalist, and conceptual art.
