Miro Litografía | Exhibition Recent Works, 1953
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Joan Miro, Exhibition Recent Works, 1953


Firmado Joan Miro, Litografía, Exhibition Recent Works, 1953

Miro Litografía Firmado, Exhibition Recent Works, 1953

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Miro Litografía Firmado, Exhibition Recent Works, 1953 (thumbnail room-view)
Miro Litografía Firmado, Exhibition Recent Works, 1953 (thumbnail room-view)
Miro Litografía Firmado, Exhibition Recent Works, 1953 (thumbnail room-view)
Miro Litografía Firmado, Exhibition Recent Works, 1953 (thumbnail room-view)
Miro Litografía Firmado, Exhibition Recent Works, 1953 (thumbnail room-view)
Artista: Miro, Joan (1893 - 1983)
Título: Exhibition Recent Works, 1953
Medio:
Litografía
Dimensiones del Ilustración: 20 3/4 in x 26 3/4 in (52.7 cm x 67.9 cm)
Dimensiones del Marco: 41 in x 33 3/8 in (104.1 cm x 84.8 cm)
Firmado: Hand-signed by Joan Miró (Barcelona, 1893 - Palma, 1983) in pencil in the lower right margin.
Edición: This work is numbered 5/150 in pencil in the lower left margin (from the edition of 150 prior to the lettering seen on the poster).
Condición: This work is in excellent condition with bright, vibrant colors.
Precio 
$15,000
Artículo# 3344
MFA SALE 50% Off: $7,500 
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Originally created for a poster showcasing Miró's recent works at Galerie Maeght in 1953, this lively work is noteworthy for its mottled coloration that relays a strong sense of texture, particularly in the black and white speckled border. Another intriguing element to this work is Miró's use of a horizontally layered composition; he places an individual image within each layer yet retains a cohesive whole.


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Descripción Histórica:

This bright and lively work was originally created for a poster showcasing Miró's recent works at Galerie Maeght in 1953. Bold colors, lively imagery, and vivid spontaneity are standard to Miró's iconic works, and this piece is no exception. Miró toys with texture and color, creating a speckled outer border that relays the impression of a rough surface. The central rectangle utilizes strong color contrasts between red and blue and depicts a central line containing one of Miró's trademark stars and whimsical figures, bearing resemblance to a person reclining. This original color lithograph was printed before the lettering seen on the poster, allowing the viewer to focus on Miro's whimsical figures rather than the writing. The only writing contained in this work is the artist's name, "Miro."

Created in 1953, this original color lithograph is signed in the lower right margin in pencil by Joan Miró (Barcelona, 1893 - Palma, 1983). This piece is numbered 5/150 (from the edition before the lettering seen on the poster), published by Maeght, Paris.


DOCUMENTED AND ILLUSTRATED IN:
1. Maeght Éditeur, Joan Miró Lithographe vol. II listed as cat. No. 191 on pg. 43 (another example illustrated).

ABOUT THE FRAMING:
Conservation framed with museum-quality archival materials in a complementary contemporary black and gold moulding with white silk mats and optical grade Plexiglas.

Estilo: Surrealism, 20th Century Modern Surrealist Spanish Master
 

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  • Miro, Flux de l'Aimant VII (Magnetic Flow No. 7), 1964
  • Miro, Flux de l'Aimant VI (Magnetic Flow No. 6), 1964
  • Miro, Flux de l'Aimant V (Magnetic Flow No. 5), 1964
  • Miro, Lithograph VI from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph VII from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph VIII from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph III from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro,  L'enfance d'Ubu, 1975
  • Miro, L'enfance d'Ubu, 1975
  • Miro, L'enfance d'Ubu, 1975
  • Miro, Flux de l'aimant (The Magnet's Flow), 1964
  • Miro, El Sobreviviente Visita Los Pájaros I (The Survivor Visits the Birds I)
  • Miro, El Sobreviviente Visita Los Pájaros II (The Survivor Visits the Birds II)
  • Miro, À Toute Épreuve, 1958
  • Miro, Quelques fleurs pour des amis (Some flowers for friends), 1964
  • Miro, Poster for the film 'Umbracle,' 1973
  • Miro, Le ciel du forgeron, 1964
  • Miro, Ubu Aux Baléares, 1971
  • Miro, Ubu Aux Baléares, 1971
  • Miro, Exhibition Recent Works, 1953

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Joan Miro biografía

Joan MiroJoan Miro (1893 - 1983)

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.

Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.

Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹

Historical Joan Miró exhibitions

¹ Lives and Treasures Taken. Library of Congress.

Miro Litografía Firmado, Exhibition Recent Works, 1953
Miro Litografía Firmado, Exhibition Recent Works, 1953
Miro Litografía Firmado, Exhibition Recent Works, 1953
Miro Litografía Firmado, Exhibition Recent Works, 1953
Miro Litografía Firmado, Exhibition Recent Works, 1953
Miro Litografía Firmado, Exhibition Recent Works, 1953
Miro Litografía Firmado, Exhibition Recent Works, 1953
Miro Litografía Firmado, Exhibition Recent Works, 1953
Miro Litografía Firmado, Exhibition Recent Works, 1953
Miro Litografía Firmado, Exhibition Recent Works, 1953
Miro Litografía Firmado, Exhibition Recent Works, 1953