Joan Miro, La Calebasse (The Gourd), 1969
|
|
|
Firmado Joan Miro, Grabado Aguatinta Carborundo, La Calebasse (The Gourd), 1969 ![]() |
| Artista: | Miro, Joan (1893 - 1983) |
|---|---|
| Título: | La Calebasse (The Gourd), 1969 |
| Referencia: | D. 488 |
| Medio: | Grabado Aguatinta Carborundo |
| Dimensiones del Ilustración: | 36 1/4 in x 23 in (92 cm x 58.5 cm) |
| Dimensiones del Papel: | 36 1/4 in x 23 in (92 cm x 58.5 cm) |
| Dimensiones del Marco: | 55 in x 43 in (139.7 cm x 109.2 cm) |
| Firmado: | This work is hand-signed by Joan Miró (1893-1983) in pencil in the lower right hand side of the work. |
| Edición: | This work is numbered 66/75 (from the total edition of 75 plus some artist's proofs) in pencil in the lower left. |
| Condición: | This work is in excellent condition, a bold impression with bright, vibrant colors. The Carborundum is very deep and rich with a lot of texture throughout the area of black. |
|
Precio
|
Artículo# 3336
|
| MFA SALE | 50% Off: $37,500 |
|
Astounding in both size and imagery, this is undoubtedly one of Miró's most magnificent prints. From the bold, structured black lines in the foreground to the tie dye splatters of color in the background to the incredible texture achieved through the use of carborundum, La Calebasse (The Gourd) commands the attention of a room with its splendor. |
|
|
Read more about our pricing |
|
|
Gallery Price: This is a common gallery retail price Read more about our pricing |
|
|
Request Invitation: We have openings for a few new members each day. Members receive exclusive offers on our entire inventory. |
|
| Descripción Histórica: | |
| Appropriately entitled La Calebasse, or The Gourd, the viewer is instantly drawn
in by the striking black silhouette of a large gourd in the center of the composition.
Cupped between two horizontal lines, the gourd appears animated as its curved
limb appears as an exterior body part, waving through the air. The black lines
contribute a sense of architectural structure, connecting and juxtaposing at
ninety degree angles. In the background, Miro utilizes a myriad of colors in
tie die splatters with Miró's playful star and arrow-like forms flitting
about. This is a Miró to be viewed in person, as its surface and textural
quality cannot be duly translated through digital photography. The size of the
piece adds to the overall effect of the work; the image extends beyond the plate
mark along the lower left and bottom margin, reaching the extreme sheet edge.
Created in 1969, this etching & aquatint with Carborundum is signed in pencil by Joan Miró (Barcelona, 1893 - Palma, 1983) in the lower right. This piece is published by Maeght éditeur, Paris and printed by Morsang, Paris on Arches wove paper. This work is numbered 66/75 (from the total edition of 75 plus some artist's proofs). DOCUMENTED AND ILLUSTRATED IN: 1. Dupin, Jacques. Miró Engraver, vol. II 1961 - 1973, Rizzoli: New
York, 1989. Listed and illustrated as catalogue raisonné no. 488 on pg.
137. ABOUT THE FRAMING: | |
| Estilo: | Surrealism, 20th Century Modern Surrealist Spanish Master |
Acerca de Nosotros: Masterworks Fine Art se esfuerza por ser la mejor fuente del arte fina para nuestros clientes y recaudadores por todo el mundo. Creemos que la manera más directa lograr esto está estableciendo una vida de relaciones personales y profesionales con nuestros clientes. Más acerca de Nosotros »
¿Posee usted que un Miro semejante para vender? Ofrecemos libertamos evaluaciones.
Joan Miro biografía
Joan Miro (1893 - 1983)
Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.
In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.
Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.
Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.
Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹
Historical Joan Miró exhibitions
¹ Lives and Treasures Taken. Library of Congress.











Print Page
Email to Friend





































































