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Email to FriendGeorges Braque, Litografía, La barque sur la grève (The Boat on the Shore), 1960  |
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| Artista: | Braque, Georges (1882 - 1963), After |
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| Título: | La barque sur la grève (The Boat on the Shore), 1960 |
| Medio: | Litografía |
| Dimensiones del Ilustración: | 12 1/4 in x 29 in (31.12 cm x 73.66 cm) |
| Dimensiones del Marco: | 49 1/4 in x 32 1/2 in (125.1 cm x 82.6 cm) |
| Firmado: | Hand signed by Georges Braque (Argenteuil, Val-d'Oise, 1882-Paris, 1963) in pencil in the lower right margin; also plate signed in the stone in brown in the lower right of the image. |
| Edición: | Numbered from the edition of 300 in pencil in the lower left margin. |
| Condición: | This work is in excellent condition. |
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Precio
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Artículo# 3324
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| MFA SALE | 50% Off: $6,000 |
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This extraordinary lithograph captures both the textural and coloristic qualities that were characteristic of Braque's later career and reveals his proclivity towards the depiction of maritime landscapes, which may have been inspired by his retreats to the Normandy Coast where he owned a home after 1930. |
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| Descripción Histórica: | |
| Published by Maeght in 1960, this work is part of a series of lithographs and etchings that were based upon Braque's original watercolors, gouaches and paintings. Braque was very involved in the printing process, overseeing either the engraver or lithographer, correcting the proofs when necessary. This piece is hand signed by Georges Braque (Argenteuil, Val-d'Oise, 1882-Paris, 1963) in pencil in the lower right margin; also plate signed in the stone in brown in the lower right of the image. Numbered from the edition of 300 in pencil in the lower left margin. In sharp contrast to the cubist works created in collaboration with Picasso, this work displays the mature aesthetic style that Georges Braque developed starting in the 1920's and 30's. Through the use of a strong horizontal composition and muted tones, Braque creates a profoundly foreboding composition that captures the tempestuous nature of the sea. Further enhancing the disquietude of the composition, the artist's use of texture conveys a sense of frantic energy creating a feeling of urgency within the viewer. The bifurcated construction of this work both grounds the viewer in the foreground while the black expanse of sky and sea draws the viewer away from the known and into the unknown.
About the Framing: | |
| Estilo: | Picasso Cubism, Cubist 20th Century French Modern Master |
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Georges Braque biografía
Georges Braque (1882 - 1963)
Georges Braque was born on May 13, 1882, in Argenteuil-sur-Seine, France. He grew up in Le Havre and studied evenings at the Ecole des Beaux-Arts there from about 1897 to 1899. He left for Paris to study under a master decorator to receive his craftsman certificate in 1901. From 1902 to 1904, he painted at the Académie Humbert in Paris, where he met Marie Laurencin and Francis Picabia. By 1906, Braque's work was no longer Impressionist but Fauve in style; after spending that summer in Antwerp with Othon Friesz, he showed his Fauve work the following year in the Salon des Indépendants in Paris. His first solo show was at Daniel-Henri Kahnweiler's gallery in 1908. From 1909, Pablo Picasso and Braque worked together in developing Cubism; by 1911, their styles were extremely similar. In 1912, they started to incorporate collage elements into their paintings and to experiment with the papier collé (pasted paper) technique. Their artistic collaboration lasted until 1914. Braque served in the French army during World War I and was wounded; upon his recovery in 1917, he began a close friendship with Juan Gris.
After World War I, Braque's work became freer and less schematic. His fame grew in 1922 as a result of an exhibition at the Salon d'Automne in Paris. In the mid-1920s, Braque designed the decor for two Sergei Diaghilev ballets. By the end of the decade, he had returned to a more realistic interpretation of nature, although certain aspects of Braque's Cubism always remained present in his work. In 1931, Braque made his first engraved plasters and began to portray mythological subjects. His first important retrospective took place in 1933 at the Kunsthalle Basel. He won First Prize at the Carnegie International, Pittsburgh, in 1937.
During World War II, Braque remained in Paris. His paintings at that time, primarily still lifes and interiors, became more somber. In addition to paintings, he also made Braque etchings, lithographs, engravings, prints and sculpture. From the late 1940s, he treated various recurring themes, such as birds, ateliers, landscapes, and seascapes. In 1954, he designed stained-glass windows for the church of Varengeville. During the last few years of his life, Braque's ill health prevented him from undertaking further large-scale commissions, but he continued to paint, make lithographs, and design jewelry. He died on August 31, 1963, in Paris.
