Print Page
Email to FriendFirmado Georges Braque, Litografía, Lithograph from Le tir à l'arc (The Archery), 1960  |
Coloque su cursor sobre las miniaturas debajo de ver la imagen de tamaño natural:
Haga clic en cada habitación para ver como la pieza potencialmente se vería en la pantalla:
| Artista: | Braque, Georges (1882 - 1963) |
|---|---|
| Título: | Lithograph from Le tir à l'arc (The Archery), 1960 |
| Medio: | Litografía |
| Dimensiones del Ilustración: | 8 5/8 in x 6 1/8 in (21.9 cm x 15.6 cm) |
| Dimensiones del Papel: | 15 in x 11 in (38.1 cm x 27.9 cm) |
| Dimensiones del Marco: | 32 1/2 in x 28 1/2 in (82.6 cm x 72.4 cm) |
| Firmado: | Hand signed by Georges Braque (Argenteuil, Val-d'Oise, 1882 - Paris, 1963) in pencil in the lower right margin. |
| Edición: | Numbered from the edition of 70 in pencil in the lower left margin; printed on Chine Colle by Desjobert and published by Louis Broder, Paris. |
| Condición: | This work is in very good condition. |
|
Precio
|
Artículo# 3323
|
| MFA SALE | 50% Off: $6,000 |
|
This curious image combines two of Braque's favorite subjects (birds and geometric imagery) in an unusual way, as we witness white square "birds" flitting across a blue sky. Aptly entitled Le tir a l'arc (the Archery), we feel placed in the role of the archer, pinpointing these abstract forms as our targets. |
|
|
Read more about our pricing |
|
|
Gallery Price: This is a common gallery retail price Read more about our pricing |
|
|
Request Invitation: We have openings for a few new members each day. Members receive exclusive offers on our entire inventory. |
|
| Descripción Histórica: | |
| This abstract piece toys with repetitive motifs that vary ever so slightly.
Four white, rectangular figures arranged in a square formation appear as geometrically
altered birds. They fly amidst a soft blue background consisting of perpendicular
strokes that relay a textured effect. Grey, shadowlike figures rest immediately
behind each white form, providing a striking yet subtle color contrast. Based
on the title Le tir à l'arc (The Archery), the viewer may surmise that
these abstract figures are indeed birds flitting through the sky, serving as
targets for the archers nearby.
1) Vallier, Dora, Braque: The Complete Graphics, 1982. Listed and discussed on pg. 219, illustrated on pg. 221. | |
| Estilo: | Picasso Cubism, Cubist 20th Century French Modern Master |
Acerca de Nosotros: Masterworks Fine Art se esfuerza por ser la mejor fuente del arte fina para nuestros clientes y recaudadores por todo el mundo. Creemos que la manera más directa lograr esto está estableciendo una vida de relaciones personales y profesionales con nuestros clientes. Más acerca de Nosotros »
¿Posee usted que un Braque semejante para vender? Ofrecemos libertamos evaluaciones.
Georges Braque biografía
Georges Braque (1882 - 1963)
Georges Braque was born on May 13, 1882, in Argenteuil-sur-Seine, France. He grew up in Le Havre and studied evenings at the Ecole des Beaux-Arts there from about 1897 to 1899. He left for Paris to study under a master decorator to receive his craftsman certificate in 1901. From 1902 to 1904, he painted at the Académie Humbert in Paris, where he met Marie Laurencin and Francis Picabia. By 1906, Braque's work was no longer Impressionist but Fauve in style; after spending that summer in Antwerp with Othon Friesz, he showed his Fauve work the following year in the Salon des Indépendants in Paris. His first solo show was at Daniel-Henri Kahnweiler's gallery in 1908. From 1909, Pablo Picasso and Braque worked together in developing Cubism; by 1911, their styles were extremely similar. In 1912, they started to incorporate collage elements into their paintings and to experiment with the papier collé (pasted paper) technique. Their artistic collaboration lasted until 1914. Braque served in the French army during World War I and was wounded; upon his recovery in 1917, he began a close friendship with Juan Gris.
After World War I, Braque's work became freer and less schematic. His fame grew in 1922 as a result of an exhibition at the Salon d'Automne in Paris. In the mid-1920s, Braque designed the decor for two Sergei Diaghilev ballets. By the end of the decade, he had returned to a more realistic interpretation of nature, although certain aspects of Braque's Cubism always remained present in his work. In 1931, Braque made his first engraved plasters and began to portray mythological subjects. His first important retrospective took place in 1933 at the Kunsthalle Basel. He won First Prize at the Carnegie International, Pittsburgh, in 1937.
During World War II, Braque remained in Paris. His paintings at that time, primarily still lifes and interiors, became more somber. In addition to paintings, he also made Braque etchings, lithographs, engravings, prints and sculpture. From the late 1940s, he treated various recurring themes, such as birds, ateliers, landscapes, and seascapes. In 1954, he designed stained-glass windows for the church of Varengeville. During the last few years of his life, Braque's ill health prevented him from undertaking further large-scale commissions, but he continued to paint, make lithographs, and design jewelry. He died on August 31, 1963, in Paris.
