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Email to FriendFirmado Rene Magritte, Litografía, La page blanche (The White Page), 1967, Series 3  |
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| Artista: | Magritte, Rene (1898 - 1967) |
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| Título: | La page blanche (The White Page), 1967, Series 3 |
| Medio: | Litografía |
| Dimensiones del Ilustración: | 23 9/16 in x 19 3/4 in (50.2 cm x 59.8 cm) |
| Dimensiones del Papel: | 30 5/8 in x 22 7/8 in (77.8 cm x 58.1 cm) |
| Dimensiones del Marco: | 40 1/4 in x 36 in (102.2 cm x 91.4 cm) |
| Firmado: | Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici with the ADAGP blindstamp in the lower le |
| Edición: | Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte); published and printed by Philippe |
| Condición: | This work is in excellent condition with vibrant colors throughout |
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Precio especial
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Artículo# 3127
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Magritte depicts leaves suspended in the air, a glowing yellow moon hovering in front of the scene. This special work combines the calm of a starry night with the magical imagery of dreams. |
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| Descripción Histórica: | |
| Placing a yellow circle strategically in the upper center of the composition,
Magritte toys with the viewer's imagination. The yellow circle floats in the
night sky yet appears in front of a tree branch, suggesting that it is in fact
a plump fruit rather than a full moon. Magritte creates a figure with dual identities;
depending on the viewer's perception, the yellow circle serves different functions.
Magritte beautifully balances this layered composition, placing the sprawling
city at the bottom of the composition and the tree branch at the top. The work
relays a sense of quiet calm, as though the viewer can almost hear the crickets
chirping in the dead of night.
Created after the 1967 original oil on canvas La page blanche (The White Page) by René Magritte (1898-1967), this original color lithograph was published and printed by Philippe Moreno, Paris in 2003. This work is signed 'Magritte' in facsimile in graphite color in the lower right margin and signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici. Numbered 246/300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte), this work is stamped with the ADAGP blindstamp in the lower left margin and the Succession Magritte blindstamp in the lower right margin. On the back of this work is an extensive block of printed text stating the title, provenance, tirage, and details of the original oil on canvas.
About the Framing: | |
| Estilo: | Surrealism |
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Rene Magritte biografía
René Magritte was a Belgian surrealist artist whose witty and thought-provoking images challenged observers’ preconditioned perceptions of reality. Magritte's work frequently displays a juxtaposition of ordinary objects in an unusual context, giving new meanings to familiar things.
Magritte grew up in a simple and somewhat tragic household. His father was a modest tailor. His mother, who was mentally unsound, committed suicide in the year 1912. Magritte started drawing at a young age, and his first paintings, produced c. 1915, were Impressionistic in style.
Magritte first worked as a draughtsman in a wallpaper factory and, in the year 1922, fell in love with and married Georgette Berger. In 1926, Magritte signed a contract with Galerie La Centaure in Brussels, making it possible for him to paint full-time. During this time, inspired by his friend André Breton, he became involved with the Surrealist group.
During the German occupation of Belgium in World War II, he stayed in Brussels. He continued to paint, gaining increased recognition. His work was exhibited in the United States in New York multiple times, including 2 retrospective exhibitions at the Museum of Modern Art and the Metropolitan Museum of Art. In 1967, Magritte died of pancreatic cancer, his imagery having greatly influenced pop, minimalist, and conceptual art.
