Rouault, Georges, Aide-Bourreau (Portant un des Bois de la Croix) [The Helper Carrying One of the Boards of the Cross] from Passion, 1936
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Email to FriendGeorges Rouault, Grabado Aguatinta, Aide-Bourreau (Portant un des Bois de la Croix) [The Helper Carrying One of the Boards of the Cross] from Passion, 1936 ![Rouault Grabado Aguatinta Firmado, Aide-Bourreau (Portant un des Bois de la Croix) [The Helper Carrying One of the Boards of the Cross] from Passion, 1936](rouault/original/rouault2941.jpg) |
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| Artista: | Rouault, Georges (1871 - 1958) |
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| Título: | Aide-Bourreau (Portant un des Bois de la Croix) [The Helper Carrying One of the Boards of the Cross] from Passion, 1936 |
| Medio: | Grabado Aguatinta |
| Dimensiones del Ilustración: | 12 1/2 in x 8 1/2 in (31.8 cm x 21.6 cm) |
| Dimensiones del Papel: | 17 1/2 in x 13 3/8 in (44.5 cm x 34 cm) |
| Dimensiones del Marco: | 22 3/8 in x 18 1/8 in (56.8 cm x 46 cm) |
| Firmado: | Hand-signed by Georges-Rouault in bluish black ink in the lower right margin; signed and dated in the plate 'GR 1935' in black in the lower left of the image. |
| Edición: | Rare, ink-signed progressive proof in black and grey printed on watermarked “verge de Montval” heavy cream colored laid paper; it is our belief that this proof accompanied the edition of 40 black ink impressions (from the total edition of 270). |
| Condición: | This work is in excellent condition, a rich impression with full margins. |
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Precio
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Artículo# 2941
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| MFA SALE | 50% Off: $3,750 |
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Endowed with a rich sense of emotionality, this rare, ink signed progressive proof is notable for its strong tonal contrasts between black and white that emphasize the imposing stature of its subject. We can almost sense Christ's impending doom through this powerful image of a man carrying one of the boards of the cross. |
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| Descripción Histórica: | |
| Designed in Rouault's signature style of bold black contour lines, this work
depicts a large, muscular man with his back turned to the viewer. As the title
suggests, he slings a large wooden board, a piece of the cross, over his shoulders.
Rouault depicts the man in profile, peeking out slightly from behind the board.
He stands regally yet appears pensive, as if unsure of his purpose. Chapon implies
that this male subject is the executioner's assistant, and he certainly appears
as a foreboding figure, gigantic in size, looking off into the distance and
anticipating the crucifixion of Christ.
Created in 1936, this original color etching and aquatint was printed on watermarked "verge de Montval" cream colored laid paper. One of seventeen aquatints for André Suarès book of poems Passion. This work was printed by Roger Lacouriere, Paris and published by Ambroise Vollard. Signed in the plate with the artist's monogram, 'GR 1935' in black in the lower left side of the image and hand-signed by Georges Rouault (1871-1958) in bluish black ink in the lower right margin. This work is a rare, ink-signed progressive proof in black and grey; it is our belief that this proof accompanied the edition of 40 black ink impressions (from the total edition of 270).
About the Framing: | |
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Georges Rouault biografía
French expressionist and religious painter. Georges Rouault was the son of a cabinetmaker. Trained as a maker of stained-glass windows (1885-90) before studying at the School of Fine Arts in Paris where he was encouraged to develop his talent (1891-98). After his conversion to Roman Catholicism in 1895 he concentrated on Biblical themes in his paintings, etchings and lithographs. In 1905 he exhibited with the Fauves (Matisse, etc) but wasn't influenced by them. Instead he came under the broader expressionist school which dealt with intensely felt human emotions (Chaim Soutine, Edvard Munch, etc). Georges Rouault also painted scenes from the street, prostitutes, judges and tragic clowns as well as some still lifes. His style was basically melancholy, portraying the tragedy of the human condition, but with hope in Jesus.
