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Joan Miro, Danseuse Créole (Creole Dancer), 1978


Firmado Joan Miro, Grabado Aguatinta, Danseuse Créole (Creole Dancer), 1978

Miro Grabado Aguatinta Firmado, Danseuse Créole (Creole Dancer), 1978

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Miro Grabado Aguatinta Firmado, Danseuse Créole (Creole Dancer), 1978  (thumbnail 1)Miro Grabado Aguatinta Firmado, Danseuse Créole (Creole Dancer), 1978  (thumbnail 2)Miro Grabado Aguatinta Firmado, Danseuse Créole (Creole Dancer), 1978  (thumbnail 3)Miro Grabado Aguatinta Firmado, Danseuse Créole (Creole Dancer), 1978  (thumbnail 4)
Artista: Miro, Joan (1893 - 1983)
Título: Danseuse Créole (Creole Dancer), 1978
Referencia: D. 1003
Medio:
Grabado Aguatinta
Dimensiones del Ilustración: 45 in x 29 in (114.5 cm x 73.5 cm)
Dimensiones del Papel: 54 1/2 in x 38 in (138.5 cm x 96.6 cm)
Dimensiones del Marco: 66 1/8 in x 48 5/8 in (168 cm x 123.5 cm)
Firmado: This work is hand signed by Joan Miró (1893-1983) in pencil in the lower right.
Edición: Numbered from the edition of 50 in pencil in the lower left
Condición: This work is in excellent condition.
Precio 

Artículo# 2789
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Descripción Histórica:
Utilizing a vibrant color palette and erratic strokes, Miró creates a striking figure who, as the title suggests, appears in motion. This creole dancer, though still somewhat abstract, has a fairly distinct face. His large eyes stare out at the viewer, who cannot quite locate the dancer's legs and arms. Only a single human handprint to the left of the image clues the viewer in as to the location of the dancer's limbs. Sharp, abrupt strokes shoot out towards the border of the composition, particularly near the figure's face, adding a sense of motion and energy to the work. The brilliant pink-red contrasts sharply with the deep black, causing this quirky and slightly crazed figure to pop out at the viewer.

Created in 1978, this original color wash, etching, and aquatint was published by Maeght éditeur Paris and printed on Arches paper by Morsang, Paris. This work is hand-signed by Joan Miró (1893-1983) in pencil in the lower right margin and numbered from the edition of 50 in the lower left margin.

DOCUMENTED AND ILLUSTRATED IN:
1. Dupin, Jacques, Miró Engraver, Vol. IV, 1989, image listed as cat no 1003 on pg 61.
2. Maeght Editeur, 1981, Listed on pg. 44.

About the Framing:
Museum grade conservation framed in a contemporary gold moulding with silk mats and optical grade Plexiglas. The bright tone of the moulding accentuates the vibrant hues in this stunning work.

Estilo: Surrealism, 20th Century Modern Surrealist Spanish Master
 

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  • Miro, Untitled Drawing
  • Miro, Manoletina, 1969
  • Miro, La Sorciere, 1969
  • Miro, Danseuse Créole (Creole Dancer), 1978
  • Miro, Le Grand Ordonnateur (The Big Organizer), 1969
  • Miro, Barcelona, 1973
  • Miro, La Captive (The Captive), 1969
  • Miro, Woman, Moon, Star, 1949
  • Miro, Le sourire aux ailes flamboyantes, 1954, Maeght 1705
  • Miro, Prise à l’Hameçon (Catch with the Hook), 1969
  • Miro,  Le Chien Bleu (The Blue Dog), 1959
  • Miro, Untitled Woman and Dog from the series of paintings known as 'Slow Paintings'
  • Miro, Quatre Colors Aparien El Món…Plate II, 1975
  • Miro, Ubu Roi (King Ubu) from Suites pour Ubu Roi, 1966
  • Miro, Polyphème, 1968
  • Miro, Emephylop, 1968
  • Miro, Le Délire du Couturier - Aubergine (Fashion Frenzy), 1969
  • Miro, Ubu Roi (King Ubu) from Suites pour Ubu Roi, 1966
  • Miro, Untitled from Ubu roi, 1966
  • Miro, Ubu Roi (King Ubu) from Suites pour Ubu Roi, 1966
  • Miro, Ubu Roi (King Ubu) from Suites pour Ubu Roi, 1966
  • Miro, Strindberg Mappen, 1976
  • Miro, Le Mauve De La Lune Couvre Le Vert De La Grenouille (The Mauve Of The Moon Covers The Green Of The Frog), 1952
  • Miro, El Pi de Formentor (The Pine of Formentor), 1976
  • Miro, Oda à Joan Miró (No. 5), 1973
  • Miro, Méandres et vent (Meanders & Wind), 1964
  • Miro, El Pi de Formentor (The Pine of Formentor), 1976
  • Miro, L'éloge de la main (The Hand Eulogy), 1958
  • Miro, Graphismes, 1961
  • Miro, Mur de la lune (Moon Wall), 1957
  • Miro, Quelques fleurs pour des amis,1964
  • Miro, Soleil Noye I, 1962
  • Miro, Cartons, 1965
  • Miro, Barcelona, 1972-1973
  • Miro, La Pluie Matinale au Clair de Lune (Morning Rain in Moonlight), 1958
  • Miro, Godalla, 1973
  • Miro, Etching from L'Issue Dérobée, 1974, D. 688 and 692
  • Miro, L’entraîneuse – rouge (The Bar Maid – Red), 1969
  • Miro, Personatge I Estels II (Figures and Stars II), 1979
  • Miro, Le plus beau cadeau (The Finest Gift)
  • Miro, L'esprit (The Spirit), 1969
  • Miro, Le Moulin à Café (The Coffee Grinder), 1954
  • Miro, Un oeillet rouge (A Red Carnation) from Le lézard aux plumes d’or (The Lizard with Golden Feathers), 1971
  • Miro, Après l’orage (After the Storm), 1957
  • Miro, Le ciel du forgeron, 1964
  • Miro, San Lazzaro et Ses Amis, 1975
  • Miro, Ubu Aux Baléares, 1971
  • Miro, À Toute Épreuve, 1958
  • Miro, Composicion
  • Miro, El Sobreviviente Visita Los Pájaros I (The Survivor Visits the Birds I)
  • Miro, Ubu Aux Baléares, 1971
  • Miro, Ubu aux Baléares
  • Miro, El Sobreviviente Visita Los Pájaros II (The Survivor Visits the Birds II)
  • Miro, Astrology II, 1953
  • Miro, Flux de l'Aimant XIV (Magnetic Flow No. 14), 1964
  • Miro, Lithograph IV from Miró,Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph III from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph VI from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph VII from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph VIII from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph V from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph I from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph IX from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph X from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph II from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Flux de l'Aimant V (Magnetic Flow No. 5), 1964
  • Miro, Flux de l'Aimant VI (Magnetic Flow No. 6), 1964
  • Miro, Flux de l'Aimant VII (Magnetic Flow No. 7), 1964
  • Miro, Untitled Pink Composition from Tracé sur l’eau, 1963
  • Miro, Untitled Black Composition from Tracé sur l’eau, 1963

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Joan Miro biografía

Joan MiroJoan Miro (1893 - 1983)

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.

Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.

Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹

¹ Lives and Treasures Taken. Library of Congress.