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Yvaral, Jean Pierre Vasarely, Progression No. 1201, 1967

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Firmado Jean Pierre Vasarely Yvaral, Único Acrílico Madera Único, Progression No. 1201, 1967

Yvaral Único Acrílico Madera Único Firmado, Progression No. 1201, 1967

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Yvaral Único Acrílico Madera Único Firmado, Progression No. 1201, 1967 (thumbnail 1)

Yvaral Único Acrílico Madera Único Firmado, Progression No. 1201, 1967 (thumbnail 2)

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Artista:	Yvaral, Jean Pierre Vasarely (1934 - 2002)
Título:	Progression No. 1201, 1967
Medio:	Único Acrílico Madera Único
Dimensiones del Ilustración:	14 1/2 in x 14 1/2 in (36.8 cm x 36.8 cm)
Dimensiones del Marco:	approx. 20 in x 20 in (50.8 cm x 50.8 cm)
Firmado:	Hand signed by Yvaral (1934
Edición:	Unique original acrylic on wood panel/board. Hand written, signed, and dated by the artist on the verso: “YVARAL \| 1967 \| Progression No. 1201 \| [signature]”
Condición:	This work is in very good condition.
Precio: Artículo# 2393	Vendido. Please visit the rest of our Yvaral fine art collection

Descripción Histórica:
Created in 1967, this original acrylic on wood panel/board is hand signed by Yvaral (1934 – 2002) in black ink on the verso below his inscription. Hand written, signed, and dated by the artist on the verso: “YVARAL \| 1967 \| Progression No. 1201 \| [signature]”. Hexagons are delineated in infinite numbers with radiation triangle-compositions which create a 3-D rectangular illusion attributed to this unique Op Artist. Yvaral’s work is best known for the light effects he creates with his works that break up an image or become the entire image itself. Completely abstract, the repetition of red, blue, white, and black causes the viewer’s eye to play tricks on them as the focus moves from the foreground and into the horizon line. Illustrated In: 1) Recorded in the Yvaral archives as No. 1201. 2) A Masterworks Certificate of Authenticity will be included with the sale of the work. About The Framing: This work is set in an archival and museum quality modern silver metal frame with a round beveled profile. The minimal quality of the frame enhances the optical effect of this work while not detracting from the enjoyment of this piece. The muted tone and metallic in quality of the frame contrasts with this work, accentuating the bright colors throughout the image.

Descripción Histórica:

Created in 1967, this original acrylic on wood panel/board is hand signed by Yvaral (1934 – 2002) in black ink on the verso below his inscription. Hand written, signed, and dated by the artist on the verso: “YVARAL | 1967 | Progression No. 1201 | [signature]”.

Hexagons are delineated in infinite numbers with radiation triangle-compositions which create a 3-D rectangular illusion attributed to this unique Op Artist. Yvaral’s work is best known for the light effects he creates with his works that break up an image or become the entire image itself. Completely abstract, the repetition of red, blue, white, and black causes the viewer’s eye to play tricks on them as the focus moves from the foreground and into the horizon line.

Illustrated In:
1) Recorded in the Yvaral archives as No. 1201.
2) A Masterworks Certificate of Authenticity will be included with the sale of the work.

About The Framing:
This work is set in an archival and museum quality modern silver metal frame with a round beveled profile. The minimal quality of the frame enhances the optical effect of this work while not detracting from the enjoyment of this piece. The muted tone and metallic in quality of the frame contrasts with this work, accentuating the bright colors throughout the image.

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Jean Pierre Vasarely Yvaral biografía

Combining the poetry of geometry with figurative art, Yvaral has created a wholly original body of artworks that has received the praise of important critics and museum curators around the world.

Born in France, Yvaral grew up in a complete artistic ambiance. Working alongside his father, Victor Vasarely, he discovered and explored the beauty of geometry in art. The inspiration of the French Impressionists and Pointillists is evident in Yvaral's vibrant paintings. The artist juxtaposes pure colors next to one another to achieve the illusion of three-dimensional forms.