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Joan Miro, Quatre Colors Aparien El Món…Plate II, 1975


Firmado Joan Miro, Grabado Aguatinta, Quatre Colors Aparien El Món…Plate II, 1975

Miro Grabado Aguatinta Firmado, Quatre Colors Aparien El Món…Plate II, 1975

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Miro Grabado Aguatinta Firmado, Quatre Colors Aparien El Món…Plate II, 1975 (thumbnail 1)Miro Grabado Aguatinta Firmado, Quatre Colors Aparien El Món…Plate II, 1975 (thumbnail 2)Miro Grabado Aguatinta Firmado, Quatre Colors Aparien El Món…Plate II, 1975 (thumbnail 3)Miro Grabado Aguatinta Firmado, Quatre Colors Aparien El Món…Plate II, 1975 (thumbnail 4)
Artista: Miro, Joan (1893 - 1983)
Título: Quatre Colors Aparien El Món…Plate II, 1975
Referencia: D.823; Cr.213
Medio:
Grabado Aguatinta
Dimensiones del Ilustración: 35 1/2 in x 25 in (90 cm x 63.5 cm)
Dimensiones del Papel: 38 1/2 in x 28 3/4 in (98 cm x 72 cm)
Dimensiones del Marco: 54 in x 42 1/4 in (137.2 cm x 107.3 cm)
Firmado: Hand signed by Joan Miro
Edición: Annotated H.C. (hors commerce, artist’s proof) in pencil in the lower left (aside from the total edition of 50 signed and numbered proofs)
Condición: A great print with rich, vibrant, and saturated color; in great condition
Precio 

Artículo# 2331
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Descripción Histórica:

Created in 1975, this original color etching & aquatint was one of a series of 5 works by Joan Miró for the text, Quatre Colors Aparien El Món… by writer J.V. Foix. Published by Gustavo Gili, Barcelona out of a total edition of 50 signed and numbered proofs. Printed by Joan Barbarà, Barcelona on Arches vellum paper.

This fanciful and colorful series of original engravings are both large-scale and incredibly beautiful. The entire composition is dominated by a black, spherical shape, accented by whimsical color abstractions in green, blue, and orange. The “eye” in the upper right is boldy detailed in red and yellow; the piece is similar to the four other works featured in the text by J.V. Foix. The title, Quatre Colors Aparien El Món… is playfully and mysteriously worded; each word appears to be from a different language – French, English, Spanish, and Catalunyan.

Illustrated In:
1. Cramer, P. (1989). Joan Miró, The Illustrated Books: Catalogue Raisonné. Patrick Cramer, Publisher: Geneva. Listed and illustrated as catalogue raisonné no. 213 on pgs. 526-7.
2. Dupin, J. (1992). Miró Engraver, Vol. III 1973-1975. Ediciones Polígrafa, S.A.: Barcelona. Listed and illustrated as catalogue raisonné no. 823 on pgs. 166-7.

About the Framing:
Conservation framed with museum quality, archival materials, this work is set in a Spanish-style gold and black moulding with a delicate organic motif and a sleek black border. The muted gold hues complement the bright and bold colors within the work. Completed with white, linen-wrapped mats and a matching gold inner fillet, this work is set behind an archival Plexiglas® cover.

Estilo: Modern Master
 

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Joan Miro biografía

Joan MiroJoan Miro (1893 - 1983)

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.

Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.

Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹

¹ Lives and Treasures Taken. Library of Congress.